Red Dead Redemption 2 (dunkview)

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  • Published on:  Wednesday, November 7, 2018
  • (minor spoilers for Chapter 5)

    dunk store
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  • PhantomSoldier87 TM

    PhantomSoldier87 TM

     3 hours ago

    Arthur: your getting robbed friend 🔫🤨

    Victim: pfft... And?! 😎

  • Vaerenn



    Song at the end?

  • 3rooklyn


     3 days ago many bodies did Dunkey rack up in that saloon?!!! Psycho!!! I love it!!!😂😂😂

  • No


     4 days ago

    So basically it's a wild west version of GTA V: interesting and immersive in the first two hours, shooting gallery simulator the rest of the way.

  • rude* draGenS

    rude* draGenS

     4 days ago

    Tired of ppl bitching about the story in the game the story was great and even if that game had none of the story missions it would still be phenomenal just for the game world and the exploration u can do in it stfu

  • Bruv burmingham

    Bruv burmingham

     5 days ago

    God this game was boring.

  • Franko Reyes

    Franko Reyes

     7 days ago

    0:22 spoiler

  • Crazelord91


     7 days ago +1

    I respect your opinion but I couldn't disagree more with the second half. It did so much to show the consequences of your action and really bring Arthur's story to an emotional and mature conclusion.

  • ShiddyKong


     7 days ago

    Workaholic architect Adam Sandler gets a magical remote-control device that allows him to mute, rewind and fast-forward his life, with farcical and tragic results. It's "Back to the Future," "It's a Wonderful Life" and "Faust," with fart jokes. As a moral fable "Click" holds no surprises; as a Sandler comedy, it's unusually dark, occasionally touching and pretty funny. Kate Beckinsale plays his ignored wife, and Christopher Walken tosses weird comic curveballs as the otherworldly salesman from Bed Bath and Way Beyond. David Ansen

    The emotionalism of Click will predictably get razzies from reviewers, who are busy circle-jerking Sympathy for Lady Vengeance. No danger of critical underrating here: Park Chan-wook's final entry in his "revenge trilogy" by now has spilled more than enough fan-boy ink to match the copious flow of blood that's been his trademark. Sure, the filmmaker's torch-bearers insist his violence is the tool chosen to explore the characters' churning furies, conveniently sidestepping Park's hollowness and his incoherence, the better to relish the whipped cream of sadistic titillation while supposedly getting a simultaneous fill of art-house cough-syrup. It takes a clever director to orchestrate such frenzied drooling, and throughout Lady Vengeance Park is nothing if not cunning in his string-pulling -- it kicks off on a fastidiously facetious note, a batch of Santy Clauses serenading Lee Yeong-ae, the "angel" just released from prison, with gospel and a brick of tofu all but stamped with "Purity" on its side. No whiteness for her yet: After 13 years surrounded by cartoon dykes in jail, she is out for payback against the child-killer who's kidnapped her daughter and blackmailed her to take the rap for him. Cue harpsichord tinkling and Park's by-now excruciatingly familiar film-school bag o' tricks, wanton shifts in stock and angle, a gliding camera, compositional symmetry and scrambled narrative, the whole "darkness of the soul" fondue, poured heavily. And dreams, natch: the villain's head is glued to a dog's body, then shot apart.

    Like many other Sandler movies, this one lingers studiously over bodily functions. After losing enormous amount of weight, for example, Michael plays with a big flap of loose skin around his stomach, plopping it up and down long after any possible audience curiosity has been satisfied. During an argument with his boss (David Hasselhoff), he freeze-frames the boss, jumps on his desk and farts. When he puts his boss back on "play," the boss inexplicably decides his secretary has put feces in his salad. Anyone who can't tell poop from lettuce doesn't deserve to be a senior partner. They teach you that in business school.

    The movie does have some wit about its product placement. The plot is set in motion when Michael goes out late at night to buy a universal remote and only one store is open: Bed, Bath and Beyond. As a retail store name, this has always reminded me of the final subtitle in Kubrick's "2001," which was "Jupiter and Beyond the Infinite." Beyond the infinite. That's a fair piece. In the store Michael enters, Bed and Bath are easy to find, but Beyond is behind a mysterious door at the end of a very long corridor, where a man named Morty (Christopher Walken) makes him a gift of the universal remote. If they make "Click 2," I want it to be about Morty.

    Overall, I would have to give this a 7/10. I really do think it has a little something for everyone.

  • Commodore Wet-toots

    Commodore Wet-toots

     7 days ago

    petters 2when?

  • CeeKachu


     7 days ago


    Dunkey: Are you okay, donkey?
    Donkey: ~Mmhmm~

  • [小樹]小林托爾tohru魔蠍大帝scorpion


     7 days ago +1

    3:48 weeeeeeeee~

  • Commit Burger

    Commit Burger

     7 days ago +1

    I’m pretty sure when the old guy picks up the gun when he’s laying down he kills himself.

  • Osi Is Here

    Osi Is Here

     7 days ago

    I fucking lost it when dangelo started singing as the donkey got back up

  • Dragunovski


     7 days ago +3

    The story afte chapter 5 represents dutch's downfall

  • Anglo-Saxophone


     7 days ago

    This game’s so shit

  • Freshboy MB

    Freshboy MB

     7 days ago +1

    When a game isnt fun its not a good game, making rdr2 a bad game

  • Tyson Campbell

    Tyson Campbell

     7 days ago

    First four chapters are some of the best in gaming.

  • Steven Fontaine

    Steven Fontaine

     7 days ago

    I posted this video in a red dead facebook fan page, and the red dead stans didnt it post it, so i just left the group, i cant take that negativity in my life.

  • Michael Andrej Hagyari

    Michael Andrej Hagyari

     7 days ago